Saturday, December 22, 2018

Modern Art the Movement

Famous Painters
Modern art includes artistic work produced in the period between the 1860s and the 1970s, and refers to the styles of art produced during that period. The term is usually associated with art, in which the traditions of the past were cast aside in an experimental spirit. Modern artists have been experimenting with new ways of seeing and new ideas about the nature of art materials and functions.

A tendency toward abstraction away from the narrative, which was characteristic of traditional art, is characteristic of much modern wall art. New art production is often referred to as contemporary art or post-modern art.

The birth of modernism and modern art can be traced back to the revolution of the industry. This period of rapid changes in production, transport and technology began around the middle of the eighteenth century and lasted through the nineteenth century, profoundly affecting the social, economic and cultural conditions of life in Western Europe, North America and the world.

New transport forms, including the railroad, the steam engine and the metro, changed the way people lived, worked and traveled, broadened their worldview and gained access to new ideas. With the development of urban centers, workers flocked to cities for industrial jobs and urban populations.

Modern art begins with the heritage of painters such as Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse- Lautrec, who were all essential to modern art.

At the beginning of the 20th century, Henri Matisse and several other young artists, including the pre- Cubist Georges Braque, André Derain, Raoul Dufy, Jean Metzinger and Maurice de Vlaminck, revolutionized the art world of Paris with wild, multicolored, expressive landscapes and figure paintings known as Fauvism by critics.

The two versions of Matisse's The Dance represented an important point in his career and the development of modern painting. It reflected Matisse's early fascination with primitive art: the intense warm color of the figures against the cool blue - green background and the rhythmic succession of the dancing nudes convey the emotional liberation and hedonism feelings.

Before the 19th century, artists were most often commissioned by wealthy patrons or institutions such as the church to create artworks. Much of this art depicted religious or mythological scenes telling stories to teach the viewer.

In the 19th century, many artists began to create art based on their own personal experiences and themes they selected. With the publication of the psychologist Sigmund Freud’s The Interpretation of Dreams (1899) and the popularization of the idea of an unconscious mind, many artists began to explore dreams, symbolism and personal iconography as a way to portray their subjective experiences.

Challenging the idea that art must represent the world in a realistic way, some artists have experimented with the expressive use of color, nontraditional materials and new techniques and media. Among these new mediums was photography, the invention of which offered radical possibilities for representing and interpreting the world in 1839.

Initially influenced by Toulouse- Lautrec, Gauguin and other innovators of the late 19th century, Pablo Picasso made his first cubist paintings based on the idea of Cézanne that all representations of nature can be reduced to three solids: cube, sphere and cone.

Weeping Woman
Picasso dramatically created a new and radical picture with the painting Les Demoiselles d'Avignon (1907) depicting a raw and primitive brothel scene with five prostitutes, violently painted women, reminiscent of African tribal masks and his own new Cubist inventions. Analytic cubism was developed jointly by Picasso and Georges Braque, illustrated by Violin and Candlestick, Paris,
between 1908 and 1912.

In the 1920s, analytic cubism, the first clear manifestation of cubism, was followed by synthetic cubism by Braque, Picasso, Fernand Léger, Juan Gris, Albert Gleizes, Marcel Duchamp and a number of other artists. Synthetic cubism is characterized by the introduction of various textures, surfaces, collage elements, paper collé and a wide range of fused subjects.

What are the characteristics of modern art?

Modern art is the same as contemporary art. At least that's how the Modern Art Museum categorizes these terms.
Modern necessarily doesn't mean contemporary. Modern art is more closely related to the philosophical movement of modernism.

What is "modernism"?

This movement emerged in the western world during the industrial revolution of the late 19th and early 20th centuries. A new socio economic and political climate was emerging in view of the rapid growth of the cities. Modernism viewed traditional forms of art, architecture, literature, religious faith, philosophy and social organization as outdated in this landscape.

Modernism rejected the assurance of the thinking of enlightenment, and many modernists rejected religion. The self - consciousness and the rejection of the ideology of realism are an important feature of this movement. Themes of recovery, incorporation, rewriting, parody, revision and recapitulation are common in much modernism inspired by art and literature.

What are the different types of modern art?

With the beginning of the Industrial Revolution in the second half of the 19th century, new art styles and movements emerged and disappeared more and more rapidly, reflecting the increasing rate of change in our society. Here's a short overview of major movements of modern art from impressionism to Op Art.

Modern Art Movements

The most significant movements of modern art from the end of the 19th to the end of the 20th century are as follows:

  • Expressionism 
  • Art Nouveau 
  • Art Deco 
  • Cubism 
  • Surrealism 
  • Abstract Art 
  • Pop Art 8. Op Art


Modern art’s history began with impressionism. Everything began in Paris as a reaction to a very formal and rigid painting style- made in studios and set up by traditional institutions such as the Academy of Beaux- Arts in Paris.

The exhibition of the famous painting of Edouard Manet, Dejeuner sur l'herbe, in 1863 at the Salon des Refuses (organized by those painters who were rejected by the Academy of Fine Arts) caused a scandal. It can be seen as the start of impressionism.

The Impressionist painters preferred painting outside and studied light effects on objects. Their favorite topics were landscapes and daily life scenes. Edouard Manet, Claude Monet, Edgar Degas, Camille Pissarro and Pierre Auguste Renoir in France and Alfred Sisley in England are the most well-known names in Impressionist painting.


The term Fauvism is derived from the French word fauve, meaning wild animals. This new style of modern art was a little wild with strong and lively colors. Paul Gauguin and the Netherlands painter Vincent van Gogh used expressive colors to bring Impressionism to its limits.

Fauvism took a step further in combining simplified designs with an orgy of colors characterized by their critics. Fauvist artists ' first exhibition was held in 1905. Henri Matisse, Andre Derain, Maurice de Vlaminch, Kees van Dongen, and Raoul Dufy are the most famous fauve artists.

Expressionism was, in a simplified sense, a modern German version of the Fauvism. The movement of expressionists was organized into two groups of German painters. The group of artists Ernst Ludwig Kirchner, Erich Heckel, Emil Nolde, Max Pechstein, Otto Müller and Karl Schmidt-Rottluff was based in Dresden.

The second Expressionist artists gathering were in Munich. The band is called Der Blaue Reiter, which means The Blue Rider. Franz Marc, August Macke, Gabriele Münter, Wassily Kandinsky, Paul Klee and Alexei Yavlensky are well- known names.

Art Nouveau Movement

Art Nouveau means new art, French. Its highly decorative style and its dedication to natural forms are characteristic. Art Nouveau was a popular art movement between 1880 and 1910. It was named by the Germans Jugendstil, the Italians Liberty, the Austrians Secessionsstil and the young Spanish art. Art Nouveau was not limited only to painting and printing. It included all art forms, architecture, furniture, jewelry, glass and illustration.

Fine examples of Art Nouveau are the Paris subway entrances, the glass works of Emille Galle and Louis Comfort Tiffany in the USA or the Alphonse Mucha posters. Gustav Klimt is a famous painter. Art Nouveau did not survive World War I, perhaps due to the high prices of objects in Art Nouveau. Art Nouveau was nothing for mass production with its philosophical roots in high - quality craftsmanship.

Art Deco Movement

Art decoration was primarily a design style, famous in the 1920s and 1930s. The Art Deco movement can, in simplified terms, be regarded as the Art Nouveau style that is simpler and closer to mass production.

Mode, furniture, jewelry, textiles, architecture, commercial printing and interior decoration dominated the Art Deco movement. René Lalique, a jeweler and glass-maker, is the most famous name. The Chrysler building in 1930 in New York is an example of the architectural style of Art Deco.


Cubism, another movement of modern art, was mainly confined to painting and sculpture. It nevertheless had a major influence on modern art. Cubism was initiated in Paris before the First World War by the Spaniard Pablo Picasso and the Frenchman Georges Braques. Paul Cezanne, who is usually classified as a post-impressionist, can be regarded as his predecessor.

In African tribal art, cubism had strong roots. Geometric forms and fragmentation are favored in cubism. It's all reduced to cubes and other geometric shapes. Many aspects of one subject are shown simultaneously. Not only Pablo Picasso and Georges Braques, but also Robert Delaunay, Marcel Duchamp, Juan Gris and Lyonel Feininger are renowned artists. Abstract art paved the way for Cubism.


Surrealism is one of the many movements of modern art in the 20th century. His philosophical dad was Andre Breton, a French poet and writer who published in 1924 in Paris the Surrealist Guidelines Manifesto.

Surrealism stresses the unconscious, the significance of dreams and the psychological aspect of the arts. Surrealism has become a major movement in Spaniard Bunuel’s fine arts, literature and films.
The best- known names for the fine arts are Salvador Dali, the Italian Giorgio de Chirico with his weird and bizarre views of the city, Marcel Duchamp, Max Ernst, Joan Miro, Yves Tanguy, Rene Margritte and the Russian Marc Chagall.

Abstract Art

It is said that the Russian born painter Wassily Kandinsky is the father of abstract art. If you want to visit Munich, don't miss a visit to the Lenbachhaus Museum. It displays many Wassily Kandinsky paintings and you can see very well how his style developed from time to time to semi - abstract and then to abstract painting.

Another dominant feature in the establishment of abstract painting is Piet Mondrian, a Dutch painter. In Paris, Mondrian had experienced cubism. During the Second World War, many leading artists, such as Max Ernst, Marcel Duchamp and Marc Chagall, immigrated to the USA. New York has thus become a new center for contemporary art and abstract art.

Pop Art Movement

Pop Art is a popular art abbreviation. The name says everything. The Pop Art movement wanted to bring art back into people's daily lives. It was a reaction to abstract painting considered by pop artists to be too sophisticated and elite. The favorite images of pop artists were everyday objects such as Andy Warhol soup cans or Roy Lichtenstein comics.

Andy Warhol 's use of serigraphy, a photo- realistic, mass production technique of printmaking, was typical of the attitude of the Pop Art movement. Pop Art fell into the media and advertisements. Differences between fine arts and commercial arts have been torn down voluntarily.

Examples are the music album cover designs of the 1960s. Andy Warhol was the undoubted cultural figure of Pop Art between 1928 and 1987. Jaspar Johns, Robert Rauschenberg, David Hockney, Claes Oldenburg, Roy Lichtenstein, Georg Segal, Wayne and James Rosenquist are also well-known names. The Pop Art Movement was primarily a movement of American and British art.

Op Art Movement

It was Op Art after Pop Art, a short form for optical art. Op Art expressed itself in reduced geometric shapes, sometimes in black and white contrasts and sometimes in brilliant colors. The most prominent artist is Vasarely, born in Hungary.

In the 1970s, Op Art even developed into fashion design. But Op Art has never managed to become a popular modern art mass movement like Pop Art.

Who is the father of modern art?

Paul Cézanne
Paul Cézanne, an oil painter from France, became the first artist of his generation to deliberately and successfully break away from Impressionism in the late 19th century. Cézanne was a precursor to Picasso's cubism, and his work became a catalyst for 20th century abstract art.

His earlier work tended to be darker and more roughly painted, but we still see the development of some of his personal style. For example, in the above detail of his painting Skull and Candlestick, you can see dark outlines around many of the objects, a feature that in most of his later works remained to some extent.

Cézanne did not want to paint like the Impressionists throughout his life; his work was too loose and chaotic for him. At the same time, however, the idea of painting classically structured works, like the Renaissance work, did not attract him.

In the end, Cézanne found a balance between the two creating solidly anchored forms and figures, using the bold and vivid colors of the Impressionists. He was also prepared to sacrifice an accurate representation of reality if the painting was strengthened.

Cézanne has been successful in all genres in landscapes and portraits, as well as in the still life work for which he is best known. Mont Sainte- Victoire is one of his many paintings around his home, with cubic houses and large, round trees.

Although the structures and figures of Cézanne differed greatly from the Impressionists, he certainly plunged into their palette.
With dark shadows to hold the shape of his subject, Cézanne put in his paintings brushstrokes of purple, green and bright reds. They don't fit the skin tone, but Cézanne, like the Impressionists, created a sense of immediacy by using vivid colors.

This painting, Still life with Plaster Cupid, Cézanne ignored the physical space to create a dynamically interesting composition.
he plaster cupid was perfect for the cold blues and greens of Cézanne, while Cézanne's rounded anatomy reflected the scattered onions and apples. The amount of light and darkness in the painting is perfectly balanced, and I love how the whole painting is energized by the many strong diagonals it contains.

The work of Cézanne always ignores the rules of color or changes on the fly the perspective. His paintings, however, are still wonderful, solid and truly incredible.

Additional information on modern art

The term "Modern Art" has no precise definition it is still an elastic term that can contain a variety of meanings. This is not too surprising, as we are constantly moving forward in time, and what is now considered "modern painting" or "modern sculpture" may not be considered modern in 50 years. Characteristics of modern art

Modern art includes works of art created between the late 19th and the 1970s, which are characterized by the rejection of traditional concepts and techniques of art. This rejection of past traditions has led to a variety of art movements, including Expressionism, Abstract Art, Cubism, Futurism, Dada, Surrealism and Conceptual Art, to name but a few. Many of them have been of short duration but have had a lasting influence on the later developments, including modern art. Examples of modern art

Types of modern art

Postmodern art is a body of art movements which seek to contradict certain aspects of modernism or aspects which emerged or developed afterwards. In general, movements such as intermedia, installation art, conceptual art and multimedia are described as postmodern, in particular video. Postmodern art

The truth about modern art

Thursday, December 20, 2018

Famous peace poems

What does Peace mean?

Peace is beautiful
Peace through poetry attempts to promote the concept of harmonious well-being and freedom from hostile aggression. In a social sense, peace is often used to mean a lack of conflict, such as war and freedom from fear of violence between individuals or heterogeneous groups that are relatively foreign or separate.

Over the course of history, some of the most extraordinary and benevolent leaders have used peace talks to establish a certain type of behavioral restraint which has led to regional peace or economic growth through different forms of agreements or peace treaties. Such behavioral restrictions have often led to rhetorical and physical conflicts being de - escalated, greater economic interactivity and, consequently, substantial prosperity. The prevention of war or violent hostility can be the result of thoughtful active listening and communication, which enables genuine mutual understanding and therefore compromise. Leaders often greatly benefit from the prestige of peace talks and treaties, which can lead to a significant increase in popularity.

The best thing you can do when you are full of anxiety and worry is to find a quiet place for praying, reading poetry and listening to music. You should live life to the fullest and in peace. Read our Peace through poetry poems below for peace of mind to calm your anxiety and stress.

What is an example of peace?

Master Peace
Peace is calm and tranquility, a time when wars or conflicts are not taking place. A peaceful example is when war between two countries ends and everyone gets along.

Psychological peace, such as peaceful thinking and emotions, may be less well defined, but often a necessary precursor to the establishment of " behavioral peace." Some have expressed the belief that peace can be initiated with a certain quality of inner tranquility that does not depend for its existence on the uncertainties of everyday life. The acquisition of such a " peaceful internal disposition " for oneself and others can help to resolve conflicting interests that are otherwise apparently irreconcilable.

Since psychological peace can be important for behavioral peace, sometimes leaders reduce conflicts by compliments and generosity. In psychological research, small gestures of rhetorical and actual generosity have often led to greater levels of mutual generosity and even virtuous circles of generosity. Such benevolent selfless behavior can eventually become a model that can become a lasting basis for better relationships between people and groups of people. Peace talks often begin without preconditions and preconceived ideas, because they are not just opportunities to negotiate. They pay attention to peace itself beyond what previously could have been perceived as the competing needs or interests of separate individuals or parties in order to generate peaceful sentiments and thus produce benevolent results. Sometimes peace talks are also unique learning opportunities for people or parties involved.

Peace through poetry

My Child Wafts Peace by Yehuda Amichai

My child wafts peace.
When I lean over him,
It is not just the smell of soap.

All the people were children wafting peace.
(And in the whole land, not even one
Millstone remained that still turned).

Oh, the land torn like clothes
That can't be mended.
Hard, lonely fathers even in the cave of the Makhpela*
Childless silence.

My child wafts peace.
His mother's womb promised him
What God cannot
Promise us.

Wildpeace by Yehuda Amichai

Not the peace of a cease-fire
not even the vision of the wolf and the lamb,
but rather
as in the heart when the excitement is over
and you can talk only about a great weariness.
I know that I know how to kill, that makes me an adult.
And my son plays with a toy gun that knows
how to open and close its eyes and say Mama.
A peace
without the big noise of beating swords into ploughshares,
without words, without
the thud of the heavy rubber stamp: let it be
light, floating, like lazy white foam.
A little rest for the wounds - who speaks of healing?
(And the howl of the orphans is passed from one generation
to the next, as in a relay race:
Let it come
like wildflowers,
suddenly, because the field
must have it: wildpeace.
The peace of wild things by Wendell Berry

When despair grows in me
and I wake in the middle of the night at the least sound
in fear of what my life and my children's lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting for their light. For a time
I rest in the grace of the world, and am free.

The Peaceful Shepherd by Robert Frost

If heaven were to do again,
And on the pasture bars,
I leaned to line the figures in
Between the dotted starts,
I should be tempted to forget,
I fear, the Crown of Rule,
The Scales of Trade, the Cross of Faith,
As hardly worth renewal.

For these have governed in our lives,
And see how men have warred.
The Cross, the Crown, the Scales may all
As well have been the Sword.
Rest in Peace by Claude McKay

No more for you the city's thorny ways,
The ugly corners of the Negro belt;
The miseries and pains of these harsh days
By you will never, never again be felt.

No more, if still you wander, will you meet
With nights of unabating bitterness;
They cannot reach you in your safe retreat,
The city's hate, the city's prejudice!

'Twas sudden--but your menial task is done,
The dawn now breaks on you, the dark is over,
The sea is crossed, the longed-for port is won;
Farewell, oh, fare you well! my friend and lover.

The Gardener LXI: Peace, My Heart by Rabindranath Tagore

Peace, my heart, let the time for
the parting be sweet.
Let it not be a death but completeness.
Let love melt into memory and pain
into songs.
Let the flight through the sky end
in the folding of the wings over the
Let the last touch of your hands be
gentle like the flower of the night.
Stand still, O Beautiful End, for a
moment, and say your last words in
I bow to you and hold up my lamp
to light you on your way.

Peace XVIII by Khalil Gibran

The tempest calmed after bending the branches of the trees and leaning heavily upon the grain in the field. The stars appeared as broken remnants of lightning, but now silence prevailed over all, as if Nature's war had never been fought.

At that hour a young woman entered her chamber and knelt by her bed sobbing bitterly. Her heart flamed with agony but she could finally open her lips and say, "Oh Lord, bring him home safely to me. I have exhausted my tears and can offer no more, oh Lord, full of love and mercy. My patience is drained and calamity is seeking possession of my heart. Save him, oh Lord, from the iron paws of War; deliver him from such unmerciful Death, for he is weak, governed by the strong. Oh Lord, save my beloved, who is Thine own son, from the foe, who is Thy foe. Keep him from the forced pathway to Death's door; let him see me, or come and take me to him."

Quietly a young man entered. His head was wrapped in bandage soaked with escaping life. He approached he with a greeting of tears and laughter, then took her hand and placed against it his flaming lips. And with a voice with bespoke past sorrow, and joy of union, and uncertainty of her reaction, he said, "Fear me not, for I am the object of your plea. Be glad, for Peace has carried me back safely to you, and humanity has restored what greed essayed to take from us. Be not sad, but smile, my beloved. Do not express bewilderment, for Love has power that dispels Death; charm that conquers the enemy. I am your one. Think me not a specter emerging from the House of Death to visit your Home of Beauty.

"Do not be frightened, for I am now Truth, spared from swords and fire to reveal to the people the triumph of Love over War. I am Word uttering introduction to the play of happiness and peace."

Then the young man became speechless and his tears spoke the language of the heart; and the angels of Joy hovered about that dwelling, and the two hearts restored the singleness which had been taken from them.

At dawn the two stood in the middle of the field contemplating the beauty of Nature injured by the tempest. After a deep and comforting silence, the soldier said to his sweetheart, "Look at the Darkness, giving birth to the Sun."

Peace by Henry Van Dyke



Two dwellings, Peace, are thine.
One is the mountain-height,
Uplifted in the loneliness of light
Beyond the realm of shadows,--fine,
And far, and clear,--where advent of the night
Means only glorious nearness of the stars,
And dawn, unhindered, breaks above the bars
That long the lower world in twilight keep.
Thou sleepest not, and hast no need of sleep,
For all thy cares and fears have dropped away;
The night's fatigue, the fever-fret of day,
Are far below thee; and earth's weary wars,
In vain expense of passion, pass
Before thy sight like visions in a glass,
Or like the wrinkles of the storm that creep
Across the sea and leave no trace
Of trouble on that immemorial face,--
So brief appear the conflicts, and so slight
The wounds men give, the things for which they fight.
Here hangs a fortress on the distant steep,--
A lichen clinging to the rock:
There sails a fleet upon the deep,--
A wandering flock
Of snow-winged gulls: and yonder, in the plain,
A marble palace shines,--a grain
Of mica glittering in the rain.
Beneath thy feet the clouds are rolled
By voiceless winds: and far between
The rolling clouds new shores and peaks are seen,
In shimmering robes of green and gold,
And faint aerial hue
That silent fades into the silent blue.
Thou, from thy mountain-hold,
All day, in tranquil wisdom, looking down
On distant scenes of human toil and strife,
All night, with eyes aware of loftier life,
Uplooking to the sky, where stars are sown,
Dost watch the everlasting fields grow white
Unto the harvest of the sons of light,
And welcome to thy dwelling-place sublime
The few strong souls that dare to climb
The slippery crags and find thee on the height.



But in the depth thou hast another home,
For hearts less daring, or more frail.
Thou dwellest also in the shadowy vale;
And pilgrim-souls that roam
With weary feet o'er hill and dale,
Bearing the burden and the heat
Of toilful days,
Turn from the dusty ways
To find thee in thy green and still retreat.
Here is no vision wide outspread
Before the lonely and exalted seat
Of all-embracing knowledge. Here, instead,
A little garden, and a sheltered nook,
With outlooks brief and sweet
Across the meadows, and along the brook,--
A little stream that little knows
Of the great sea towards which it gladly flows,--
A little field that bears a little wheat
To make a portion of earth's daily bread.
The vast cloud-armies overhead
Are marshalled, and the wild wind blows
Its trumpet, but thou canst not tell
Whence the storm comes nor where it goes.

Nor dost thou greatly care, since all is well;
Thy daily task is done,
And though a lowly one,
Thou gavest it of thy best,
And art content to rest
In patience till its slow reward is won.
Not far thou lookest, but thy sight is clear;
Not much thou knowest, but thy faith is dear;
For life is love, and love is always near.
Here friendship lights the fire, and every heart,
Sure of itself and sure of all the rest,
Dares to be true, and gladly takes its part
In open converse, bringing forth its best:
Here is Sweet music, melting every chain
Of lassitude and pain:
And here, at last, is sleep, the gift of gifts,
The tender nurse, who lifts
The soul grown weary of the waking world,
And lays it, with its thoughts all furled,
Its fears forgotten, and its passions still,
On the deep bosom of the Eternal Will.

The Price of Peace by Henry Van Dyke

Peace without Justice is a low estate,--
A coward cringing to an iron Fate!
But Peace through Justice is the great ideal,--
We'll pay the price of war to make it real.

Our Lady Peace by Mark van Doren

How far is it to peace, the piper sighed,
The solitary, sweating as he paused.
Asphalt the noon; the ravens, terrified,
Fled carrion thunder that percussion caused.

The envelope of earth was powder loud;
The taut wings shivered, driven at the sun.
The piper put his pipe away and bowed.
Not here, he said. I hunt the love-cool one,

The dancer with the clipped hair. Where is she?
We shook our heads, parting for him to pass.
Our lady was of no such trim degree,
And none of us had seen her face, alas.

She was the very ridges that we must scale,
Securing the rough top. And how she smiled
Was how our strength would issue. Not to fail
Was having her, gigantic, undefiled,

For homely goddess, big as the world that burned,
Grandmother and taskmistress, frild and town.
We let the stranger go; but when we turned
Our lady lived, fierce in each other's frown.

Peace by Henry Vaughan

1 My Soul, there is a country
2 Afar beyond the stars,
3 Where stands a winged sentry
4 All skillful in the wars;
5 There, above noise and danger
6 Sweet Peace sits, crown'd with smiles,
7 And One born in a manger
8 Commands the beauteous files.
9 He is thy gracious friend
10 And (O my Soul awake!)
11 Did in pure love descend,
12 To die here for thy sake.
13 If thou canst get but thither,
14 There grows the flow'r of peace,
15 The rose that cannot wither,
16 Thy fortress, and thy ease.
17 Leave then thy foolish ranges,
18 For none can thee secure,
19 But One, who never changes,
20 Thy God, thy life, thy cure.

Monday Night May 11th 1846 / Domestic Peace by Anne Bronte

Why should such gloomy silence reign;
And why is all the house so drear,
When neither danger, sickness, pain,
Nor death, nor want have entered here?
We are as many as we were
That other night, when all were gay,
And full of hope, and free from care;
Yet, is there something gone away.

The moon without as pure and calm
Is shining as that night she shone;
but now, to us she brings no balm,
For something from our hearts is gone.

Something whose absence leaves a void,
A cheerless want in every heart.
Each feels the bliss of all destroyed
And mourns the change - but each apart.

The fire is burning in the grate
As redly as it used to burn,
But still the hearth is desolate
Till Mirth and Love with Peace return.

'Twas Peace that flowed from heart to heart
With looks and smiles that spoke of Heaven,
And gave us language to impart
The blissful thoughts itself had given.

Sweet child of Heaven, and joy of earth!
O, when will Man thy value learn?
We rudely drove thee from our hearth,
And vainly sigh for thy return.

1914 I: Peace by Rupert Brooke

Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!

Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.

Peace by Rupert Brooke

Now, God be thanked Who has watched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!

Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.

I. Peace by Rupert Brooke

Now, God be thanked Who has matched us with His hour,
And caught our youth, and wakened us from sleeping,
With hand made sure, clear eye, and sharpened power,
To turn, as swimmers into cleanness leaping,
Glad from a world grown old and cold and weary,
Leave the sick hearts that honour could not move,
And half-men, and their dirty songs and dreary,
And all the little emptiness of love!

Oh! we, who have known shame, we have found release there,
Where there's no ill, no grief, but sleep has mending,
Naught broken save this body, lost but breath;
Nothing to shake the laughing heart's long peace there
But only agony, and that has ending;
And the worst friend and enemy is but Death.

In Salutation to the Eternal Peace by Sarojini Naidu

Men say the world is full of fear and hate,
And all life's ripening harvest-fields await
The restless sickle of relentless fate.

But I, sweet Soul, rejoice that I was born,
When from the climbing terraces of corn
I watch the golden orioles of Thy morn.

What care I for the world's desire and pride,
Who know the silver wings that gleam and glide,
The homing pigeons of Thine eventide?

What care I for the world's loud weariness,
Who dream in twilight granaries Thou dost bless
With delicate sheaves of mellow silences?

Say, shall I heed dull presages of doom,
Or dread the rumoured loneliness and gloom,
The mute and mythic terror of the tomb?

For my glad heart is drunk and drenched with Thee,
O inmost wind of living ecstasy!
O intimate essence of eternity!

314. Song—There’ll never be Peace till Jamie comes hame by Robert Burns

BY yon Castle wa’, at the close of the day,
I heard a man sing, tho’ his head it was grey:
And as he was singing, the tears doon came,—
There’ll never be peace till Jamie comes hame.

The Church is in ruins, the State is in jars,
Delusions, oppressions, and murderous wars,
We dare na weel say’t, but we ken wha’s to blame,—
There’ll never be peace till Jamie comes hame.

My seven braw sons for Jamie drew sword,
But now I greet round their green beds in the yerd;
It brak the sweet heart o’ my faithful and dame,—
There’ll never be peace till Jamie comes hame.

Now life is a burden that bows me down,
Sin’ I tint my bairns, and he tint his crown;
But till my last moments my words are the same,—
There’ll never be peace till Jamie comes hame.

I Find No Peace by Sir Thomas Wyatt

I find no peace, and all my war is done.
I fear and hope. I burn and freeze like ice.
I fly above the wind, yet can I not arise;
And nought I have, and all the world I season.
That loseth nor locketh holdeth me in prison
And holdeth me not--yet can I scape no wise--
Nor letteth me live nor die at my device,
And yet of death it giveth me occasion.
Without eyen I see, and without tongue I plain.
I desire to perish, and yet I ask health.
I love another, and thus I hate myself.
I feed me in sorrow and laugh in all my pain;
Likewise displeaseth me both life and death,
And my delight is causer of this strife.

Sleep Peacefully by Alfonsina Storni

You said the word that enamors
My hearing. You already forgot. Good.
Sleep peacefully. Your face should
Be serene and beautiful at all hours.

When the seductive mouth enchants
It should be fresh, your speech pleasant;
For your office as lover it's not good
That many tears come from your face.

More glorious destinies reclaim you
That were brought, between the black wells
Of the dark circles beneath your eyes,
the seer in pain.

The bottom, summit of the beautiful victims!
The foolish spade of some barbarous king
Did more harm to the world and your statue.

A Tooth upon Our Peace by Emily Dickinson

A Tooth upon Our Peace
The Peace cannot deface --
Then Wherefore be the Tooth?
To vitalize the Grace --

The Heaven hath a Hell --
Itself to signalize --
And every sign before the Place
Is Gilt with Sacrifice --

I many times thought Peace had come by Emily Dickinson

I many times thought Peace had come
When Peace was far away --
As Wrecked Men -- deem they sight the Land --
At Centre of the Sea --

And struggle slacker -- but to prove
As hopelessly as I --
How many the fictitious Shores --
Before the Harbor be --

If pain for peace prepares by Emily Dickinson

If pain for peace prepares
Lo, what "Augustan" years
Our feet await!

If springs from winter rise,
Can the Anemones
Be reckoned up?

If night stands fast -- then noon
To gird us for the sun,
What gaze!

When from a thousand skies
On our developed eyes
Noons blaze!

Part In Peace: Is Day Before Us? by Sarah Flower Adams

Part in peace: is day before us?
Praise His Name for life and light;
Are the shadows lengthening o’er us?
Bless His care Who guards the night.

Part in peace: with deep thanksgiving,
Rendering, as we homeward tread,
Gracious service to the living,
Tranquil memory to the dead.

Part in peace: such are the praises
God our Maker loveth best;
Such the worship that upraises
Human hearts to heavenly rest.

Joy and Peace in Believing by William Cowper

Sometimes a light surprises
The Christian while he sings;
It is the Lord who rises
With healing on His wings;
When comforts are declining,
He grants the soul again
A season of clear shining,
To cheer it after rain.

In holy contemplation
We sweetly then pursue
The theme of God's salvation,
And find it ever new;
Set free from present sorrow,
We cheerfully can say,
E'en let the unknown to-morrow
Bring with it what it may!

It can bring with it nothing,
But He will bear us through;
Who gives the lilies clothing,
Will clothe His people too;
Beneath the spreading heavens
No creature but is fed;
And He who feeds the ravens
Will give His children bread.

Though vine nor fig tree neither
Their wonted fruit shall bear,
Though all the field should wither,
Nor flocks nor herds be there:
Yet God the same abiding,
His praise shall tune my voice;
For, while in Him confiding,
I cannot but rejoice.

Jehovah-Shalom. The Lord Send Peace by William Cowper

(Judges, vi.25)

Jesus! whose blood so freely stream'd
To satisfy the law's demand;
By Thee from guilt and wrath redeem'd,
Before the Father's face I stand.

To reconcile offending man,
Make Justice drop her angry rod;
What creature could have form'd the plan,
Or who fulfil it but a God?

No drop remains of all the curse,
For wretches who deserved the whole;
No arrows dipt in wrath to pierce
The guilty, but returning soul.

Peace by such means so dearly bought,
What rebel could have hoped to see?
Peace by his injured Sovereign wrought,
His Sovereign fasten'd to a tree.

Now, Lord, Thy feeble worm prepare!
For strife with earth and hell begins;
Conform and gird me for the war;
They hate the soul that hates his sins.

Let them in horrid league agree!
They may assault, they may distress;
But cannot quench Thy love to me,
Nor rob me of the Lord my peace.

Peace after a Storm by William Cowper

When darkness long has veil'd my mind,
And smiling day once more appears,
Then, my Redeemer, then I find
The folly of my doubts and fears.

Straight I upbraid my wandering heart,
And blush that I should ever be
Thus prone to act so base a part,
Or harbour one hard thought of Thee!

Oh! let me then at length be taught
What I am still so slow to learn,
That God is love, and changes not,
Nor knows the shadow of a turn.

Sweet truth, and easy to repeat!
But when my faith is sharply tried,
I find myself a learner yet,
Unskilful, weak, and apt to slide.

But, O my Lord, one look from Thee
Subdues the disobedient will,
Drives doubt and discontent away,
And Thy rebellious worm is still.

Thou art as ready to forgive
As I am ready to repine;
Thou, therefore, all the praise receive;
Be shame and self-abhorrence mine.

The Future Peace and Glory of the Church by William Cowper

(Isaiah, ix. 15-20)

Hear what God the Lord hath spoken,
"O my people, faint and few,
Comfortless, afflicted, broken,
Fair abodes I build for you.
Thorns of heartfelt tribulation
Shall no more perplex your ways;
You shall name your walls, Salvation,
And your gates shall all be Praise.

"There, like streams that feed the garden,
Pleasures without end shall flow,
For the Lord, your faith rewarding,
All His bounty shall bestow;
Still in undisturb'd possession
Peace and righteousness shall reign;
Never shall you feel oppression,
Hear the voice of war again.

"Ye no more your suns descending,
Waning moons no more shall see;
But your griefs forever ending,
Find eternal noon in me:
God shall rise, and shining o'er ye,
Change to day the gloom of night;
He, the Lord, shall be your glory,
God your everlasting light."

A chilly Peace infests the Grass by Emily Dickinson

A chilly Peace infests the Grass
The Sun respectful lies --
Not any Trance of industry
These shadows scrutinize --

Whose Allies go no more astray
For service or for Glee --
But all mankind deliver here
From whatsoever sea --

Oh Future! thou secreted peace by Emily Dickinson

Oh Future! thou secreted peace
Or subterranean woe --
Is there no wandering route of grace
That leads away from thee --
No circuit sage of all the course
Descried by cunning Men
To balk thee of thy sacred Prey --
Advancing to thy Den --

Peace is a fiction of our Faith -- by Emily Dickinson

Peace is a fiction of our Faith --
The Bells a Winter Night
Bearing the Neighbor out of Sound
That never did alight.

The Rose Of Peace by William Butler Yeats

If Michael, leader of God's host
When Heaven and Hell are met,
Looked down on you from Heaven's door-post
He would his deeds forget.

Brooding no more upon God's wars
In his divine homestead,
He would go weave out of the stars
A chaplet for your head.

And all folk seeing him bow down,
And white stars tell your praise,
Would come at last to God's great town,
Led on by gentle ways;

And God would bid His warfare cease,
Saying all things were well;
And softly make a rosy peace,
A peace of Heaven with Hell.

Peace by William Butler Yeats

Ah, that Time could touch a form
That could show what Homer's age
Bred to be a hero's wage.
'Were not all her life but storm
Would not painters paint a form
Of such noble lines,' I said,
'Such a delicate high head,
All that sternness amid charm,
All that sweetness amid strength?'
Ah, but peace that comes at length,
Came when Time had touched her form.

He Bids His Beloved Be At Peace by William Butler Yeats

I hear the Shadowy Horses, their long manes a-shake,
Their hoofs heavy with tumult, their eyes glimmering white;
The North unfolds above them clinging, creeping night,
The East her hidden joy before the morning break,
The West weeps in pale dew and sighs passing away,
The South is pouring down roses of crimson fire:
O vanity of Sleep, Hope, Dream, endless Desire,
The Horses of Disaster plunge in the heavy clay:
Beloved, let your eyes half close, and your heart beat
Over my heart, and your hair fall over my breast,
Drowning love's lonely hour in deep twilight of rest,
And hiding their tossing manes and their tumultuous feet.

Come Sleep, O Sleep! The Certain Knot Of Peace by Sir Philip Sidney

Come, Sleep! O Sleep, the certain knot of peace,
The baiting-place of wit, the balm of woe,
The poor man's wealth, the prisoner's release,
Th' indifferent judge between the high and low;
With shield of proof shield me from out the press
Of those fierce darts Despair at me doth throw!
O make in me those civil wars to cease!—
I will good tribute pay if thou do so.
Take thou of me smooth pillows, sweetest bed,
A chamber deaf of noise and blind of light,
A rosy garland, and a weary head;
And if these things, as being thine in right,
Move not thy heavy grace, thou shalt in me,
Livelier than elsewhere, Stella's image see.

O Sun of Real Peace. by Walt Whitman

O SUN of real peace! O hastening light!
O free and extatic! O what I here, preparing, warble for!
O the sun of the world will ascend, dazzling, and take his height—and you too, O my
will surely ascend!
O so amazing and broad—up there resplendent, darting and burning!
O vision prophetic, stagger’d with weight of light! with pouring glories!
O lips of my soul, already becoming powerless!
O ample and grand Presidentiads! Now the war, the war is over!
New history! new heroes! I project you!
Visions of poets! only you really last! sweep on! sweep on!
O heights too swift and dizzy yet!
O purged and luminous! you threaten me more than I can stand!
(I must not venture—the ground under my feet menaces me—it will not support me:
O future too immense,)—O present, I return, while yet I may, to you.

The Peace-Pipe by Henry Wadsworth Longfellow

On the Mountains of the Prairie,
On the great Red Pipe-stone Quarry,
Gitche Manito, the mighty,
He the Master of Life, descending,
On the red crags of the quarry
Stood erect, and called the nations,
Called the tribes of men together.
From his footprints flowed a river,
Leaped into the light of morning,
O'er the precipice plunging downward
Gleamed like Ishkoodah, the comet.
And the Spirit, stooping earthward,
With his finger on the meadow
Traced a winding pathway for it,
Saying to it, "Run in this way!"
From the red stone of the quarry
With his hand he broke a fragment,
Moulded it into a pipe-head,
Shaped and fashioned it with figures;
From the margin of the river
Took a long reed for a pipe-stem,
With its dark green leaves upon it;
Filled the pipe with bark of willow,
With the bark of the red willow;
Breathed upon the neighboring forest,
Made its great boughs chafe together,
Till in flame they burst and kindled;
And erect upon the mountains,
Gitche Manito, the mighty,
Smoked the calumet, the Peace-Pipe,
As a signal to the nations.
And the smoke rose slowly, slowly,
Through the tranquil air of morning,
First a single line of darkness,
Then a denser, bluer vapor,
Then a snow-white cloud unfolding,
Like the tree-tops of the forest,
Ever rising, rising, rising,
Till it touched the top of heaven,
Till it broke against the heaven,
And rolled outward all around it.
From the Vale of Tawasentha,
From the Valley of Wyoming,
From the groves of Tuscaloosa,
From the far-off Rocky Mountains,
From the Northern lakes and rivers
All the tribes beheld the signal,
Saw the distant smoke ascending,
The Pukwana of the Peace-Pipe.
And the Prophets of the nations
Said: "Behold it, the Pukwana!
By the signal of the Peace-Pipe,
Bending like a wand of willow,
Waving like a hand that beckons,
Gitche Manito, the mighty,
Calls the tribes of men together,
Calls the warriors to his council!"
Down the rivers, o'er the prairies,
Came the warriors of the nations,
Came the Delawares and Mohawks,
Came the Choctaws and Camanches,
Came the Shoshonies and Blackfeet,
Came the Pawnees and Omahas,
Came the Mandans and Dacotahs,
Came the Hurons and Ojibways,
All the warriors drawn together
By the signal of the Peace-Pipe,
To the Mountains of the Prairie,
To the great Red Pipe-stone Quarry,
And they stood there on the meadow,
With their weapons and their war-gear,
Painted like the leaves of Autumn,
Painted like the sky of morning,
Wildly glaring at each other;
In their faces stem defiance,
In their hearts the feuds of ages,
The hereditary hatred,
The ancestral thirst of vengeance.
Gitche Manito, the mighty,
The creator of the nations,
Looked upon them with compassion,
With paternal love and pity;
Looked upon their wrath and wrangling
But as quarrels among children,
But as feuds and fights of children!
Over them he stretched his right hand,
To subdue their stubborn natures,
To allay their thirst and fever,
By the shadow of his right hand;
Spake to them with voice majestic
As the sound of far-off waters,
Falling into deep abysses,
Warning, chiding, spake in this wise :
"O my children! my poor children!
Listen to the words of wisdom,
Listen to the words of warning,
From the lips of the Great Spirit,
From the Master of Life, who made you!
"I have given you lands to hunt in,
I have given you streams to fish in,
I have given you bear and bison,
I have given you roe and reindeer,
I have given you brant and beaver,
Filled the marshes full of wild-fowl,
Filled the rivers full of fishes:
Why then are you not contented?
Why then will you hunt each other?
"I am weary of your quarrels,
Weary of your wars and bloodshed,
Weary of your prayers for vengeance,
Of your wranglings and dissensions;
All your strength is in your union,
All your danger is in discord;
Therefore be at peace henceforward,
And as brothers live together.
"I will send a Prophet to you,
A Deliverer of the nations,
Who shall guide you and shall teach you,
Who shall toil and suffer with you.
If you listen to his counsels,
You will multiply and prosper;
If his warnings pass unheeded,
You will fade away and perish!
"Bathe now in the stream before you,
Wash the war-paint from your faces,
Wash the blood-stains from your fingers,
Bury your war-clubs and your weapons,
Break the red stone from this quarry,
Mould and make it into Peace-Pipes,
Take the reeds that grow beside you,
Deck them with your brightest feathers,
Smoke the calumet together,
And as brothers live henceforward!"
Then upon the ground the warriors
Threw their cloaks and shirts of deer-skin,
Threw their weapons and their war-gear,
Leaped into the rushing river,
Washed the war-paint from their faces.
Clear above them flowed the water,
Clear and limpid from the footprints
Of the Master of Life descending;
Dark below them flowed the water,
Soiled and stained with streaks of crimson,
As if blood were mingled with it!
From the river came the warriors,
Clean and washed from all their war-paint;
On the banks their clubs they buried,
Buried all their warlike weapons.
Gitche Manito, the mighty,
The Great Spirit, the creator,
Smiled upon his helpless children!
And in silence all the warriors
Broke the red stone of the quarry,
Smoothed and formed it into Peace-Pipes,
Broke the long reeds by the river,
Decked them with their brightest feathers,
And departed each one homeward,
While the Master of Life, ascending,
Through the opening of cloud-curtains,
Through the doorways of the heaven,
Vanished from before their faces,
In the smoke that rolled around him,
The Pukwana of the Peace-Pipe!

The Peace Of Dives by Rudyard Kipling

The Word came down to Dives in Torment where he lay:
"Our World is full of wickedness, My Children maim and slay,
"And the Saint and Seer and Prophet
"Can make no better of it
"Than to sanctify and prophesy and pray.

"Rise up, rise up, thou Dives, and take again thy gold,
"And thy women and thy housen as they were to thee of old.
"It may be grace hath found thee
"In the furnace where We bound thee,
"And that thou shalt bring the peace My Son foretold."

Then merrily rose Dives and leaped from out his fire,
And walked abroad with diligence to do the Lord's desire;
And anon the battles ceased,
And the captives were released,
And Earth had rest from Goshen to Gadire.

The Word came down to Satan that raged and roared alone,
'Mid rhe shouring of the peoples by the cannon overthrown
(But the Prophets, Saints, and Seers
Set each other by the ears,
For each would claim the marvel as his own):

"Rise up, rise up, thou Satan, upon the Earth to go,
"And prove the Peace of Dives if it be good or no:
"For all that he hath planned
"We deliver to thy hand,
"As thy skill shall serve, to break it or bring low."

Then mightily rose Satan, and about the Earth he hied,
And breathed on Kings in idleness and Princes drunk with pride.
But for all the wrong he breathed
There was never sword unsheathed,
And the fires he lighted flickered out and died.

Then terribly 'rose Satan, and darkened Earth afar,
Till he came on cunning Dives where the money-changers are;
And he saw men pledge their gear
For the bold that buys the spear,
And the helmet and the habergeon of war.

Yea, to Dives came the Persian and the Syrian and the Mede --
And their hearts were nothing altered, nor their cunning nor their greed --
And they pledged their flocks and farms
For the King-compelling arms,
And Dives lent according to their need.

Then Satan said to Dives: -- "Return again with me,
"Who hast broken His Commandment in the day He set thee free,
"Who grindest for thy greed
"Man's belly-pinch and need,
"And the blood of Man to filthy usury!"

Then softly answered Dives where the money-changers sit: --
"My Refuge is Our Master, O My Master in the Pit.
"But behold all Earth is laid
"In the Peace which I have made,
"And behold I wait on thee to trouble it!"

Then angrily turned Satan, and about the Seas he fled,
To shake the new-sown peoples with insult, doubt, and dread;
But, for all the sleight he used,
There was never squadron loosed,
And the brands he flung flew dying and fell dead.

But to Dives came Atlantis and the Captains of the West --
And their hates were nothing weakened nor their angers unrest --
And they pawned their utmost trade
For the dry, decreeing blade;
And Dives lent and took of them their best.
Then Satan said to Dives: -- "Declare thou by The Name,
"The secret of thy subtlety that turneth mine to shame.
"It is knowvn through all the Hells
"How my peoples mocked my spells,
"And my faithless Kings denied me ere I came."

Then answvered cunning Dives: "Do not gold and hate abide
"At the heart of every Magic, yea, and senseless fear beside?
"With gold and fear and hate
"I have harnessed state to state,
"And by hate and fear and gold their hates are tied.

"For hate men seek a weapon, for fear they seek a shield --
"Keener blades and broader targes than their frantic neighbours wield --
"For gold I arm their hands,
"And for gold I buy their lands,
"And for gold I sell their enemies the yield.

"Their nearest foes may purchase, or their furthest friends may lease,
"One by one from Ancient Accad to the Islands of the Seas.
"And their covenants they make
"For the naked iron's sake,
"But I -- I trap them armoured into peace.

"The flocks that Egypt pledged me to Assyria I drave,
"And Pharaoh hath the increase of the herds that Sargon gave.
"Not for Ashdod overthrown
"Will the Kings destroy their own,
"Or their peoples wake the strife they feign to brave.

"Is not Carchemish like Calno? For the steeds of their desire
"They have sold me seven harvests that I sell to Crowning Tyre;
"And the Tyrian sweeps the plains
"With a thousand hired wains,
"And the Cities keep the peace and -- share the hire.

"Hast thou seen the pride of Moab? For the swords about his path,
"His bond is to Philistia, in half of all he hath.
"And he dare not draw the sword
"Till Gaza give the word,
"And he show release from Askalon and Gath.

"Wilt thou call again thy peoples, wilt thou craze anew thy Kings?
"Lo! my lightnings pass before thee, and their whistling servant brings,
"Ere the drowsy street hath stirred,
"Every masked and midnight word,
"And the nations break their fast upon these things.

"So I make a jest of Wonder, and a mock of Time and Space,
"The roofless Seas an hostel, and the Earth a market-place,
"Where the anxious traders know
"Each is surety for his foe,
"And none may thrive without his fellows' grace.

"Now this is all my subtlety and this is all my Wit,
"God give thee good enlightenment. My Master in the Pit.
"But behold all Earth is laid
"In the Peace which I have made,
"And behold I wait on thee to trouble it!"

More Peace Poems

A Collection of Peace Poems and Poetry from the most Famous Poets and Authors.

    My Child Wafts Peace by Yehuda Amichai.
    Wildpeace by Yehuda Amichai.
    The peace of wild things by Wendell Berry.
    The Peaceful Shepherd by Robert Frost.
    Rest in Peace by Claude McKay.
    The Gardener LXI: Peace, My Heart by Rabindranath Tagore.

One of my favorites is Neruda:
The real name of Pablo Neruda was Ricardo Eliécer Neftalí Reyes Basoalto. Born on 12 July 1904, he passed away on 23 September 1973. Neruda was awarded the Stalin Peace Prize in 1953.

Poem about peace in the world

Poem about peace and harmony

Inspirational poems peace

Poems about peace and war

Poems about inner peace

Poems about peace of mind

Poems about peace on earth

Peace on Earth - A poem